In this series, the second volume focuses on the compositions written during Mozart's Vienna years. Compositions are brought together systematically in the following groups; rondos, sonata movements, preludes, fantasies and fugues (including the Suite K.399), smaller individual movements and piano arrangements.

Edited from the sources by Jochen Reutter. Fingering by Heinz Scholz. Notes on Interpretation by Robert D. Levin.

From the new Wiener Urtext Edition edited by Christa Landon, Ulrlich Leisinger, Robert Levin and Oswald Jonas.

HaydnÂ's famous sonata, written for longtime friend Marianne von Genzinger, is available here in Urtext and facsimile formats. Its score is based on the new edition of HaydnÂ's piano sonatas as revised by Ulrich Leisinger. Textual problems have been solved due to the evaluation of a newly discovered manuscript copy, and this edition also includes a preface with information about the genesis of the work. For advanced players. Includes facsimile of the original autograph score.

'The most monumental of Beethoven's piano sonatas.' Editor Jochen Reutter describes the lengths to which his research has gone in trying to produce a critical and definitive edition of this great Beethoven work. No manuscript or autograph is known to exist, so an amazing bit of detective work included a wealth of correspondence with editors, publishers, engravers, etc. The resulting edition is handsomely printed in a critical edition which is perfect for practical performance.

KV 330-333, 475/457, 533/494, 545, 570, 576; 547a.

Includes e minor, op. posth., c# minor, op. posth, Eb Major, Op. 9/2, B Major, Op.32/1, f minor, Op.55/1.

Edited from the autograph and manuscript copies by Walther Dehnhard, fingering by Detlef Kraus.

Only few pieces have ever won over the audience and haunted their composer as much as Rachmaninoff's Prelude in C-sharp minor. The composer virtually complained that 'people want to have it played all the time'. The present new edition of this 'highlight' of the piano music repertoire considers the differences between autograph and first edition very carefully, comparing them with the composer's recordings.

Edited from the autograph and first editions by Bernhard Hansen, fingering by Jorg Demus.

Includes Op.11, Op.19, Op.25, Op.33a, 33b, and Three Klavierstucke (1894).

Vienna Urtext answers many requests for consolidation with this handsome book, incorporating an even keener eye toward page turns.

Edited by Landon/Leisinger/Levin/Jonas.
The Sonata in A is especially well-suited to young students first encountering Haydn's concert works. The opening Allegro moderato movement is followed by a Menuet and Trio, both of which feature the opening statements played again in reverse, and an unusually brief Finale. This critical edition is based upon the autograph and surviving first print, and is published to be a comfortable performing edition. For intermediate to advanced pianists.

Edited from the autograph and 1st edition by Karl Heinz Fussl and Heinz Scholz, fingering by Heinz Scholz.

Edited from the autograph and the first edition by Christa Landon, fingering by Oswald Jonas.

Includes both the viola and Bb clarinet parts.

Includes both the viola and Bb clarinet parts.