For György Kurtág, Mussorgsky's works have always been an important model. Several of his works contain pieces referring to Mussorgsky (Games III, The Small Snag), and in his opera, Fin de partie, he also refers to Mussorgsky's declamation style. He made these two transcriptions for piano duet in 1989, continuing a series of his earlier pre-Classical transcriptions. The transcriptionswere premiered by the composer and his wife, Márta. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.