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Let Me Be There
This Olivia Newton-John hit from the Â'70s translates perfectly as a gospel-edged pop piece for todayÂ's choirs. ThereÂ's a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. ThereÂ's a brief hand clapping a cappella section as the piece builds toward the big finish. Includes parts for alto sax., tenor sax., trumpet, trombone, and rhythm.
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