Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method[R], or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method[R], or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

More Festive Strings is a collection of well-known Christmas and Chanukah melodies arranged to meet the needs of individuals, groups and orchestras. In order to provide flexibility, the collection is available in a number of instrumentations, all of which are compatible with each other. Accessible keys have been used and shifting is kept to a minimum. Titles: O Chanukah * Angels We Have Heard on High * We Three Kings * Silent Night in D Major * We Wish You a Merry Christmas * O Come All Ye Faithful * Dreydl * Silent Night in G Major * Good King Wenceslas * What Child Is This (Greensleeves).

More Festive Strings is a collection of well-known Christmas and Chanukah melodies arranged to meet the needs of individuals, groups and orchestras. In order to provide flexibility, the collection is available in a number of instrumentations, all of which are compatible with each other. Accessible keys have been used and shifting is kept to a minimum. Titles: O Chanukah * Angels We Have Heard on High * We Three Kings * Silent Night in D Major * We Wish You a Merry Christmas * O Come All Ye Faithful * Dreydl * Silent Night in G Major * Good King Wenceslas * What Child Is This (Greensleeves).

More Festive Strings is a collection of well-known Christmas and Chanukah melodies arranged to meet the needs of individuals, groups and orchestras. In order to provide flexibility, the collection is available in a number of instrumentations, all of which are compatible with each other. Accessible keys have been used and shifting is kept to a minimum. Titles: O Chanukah * Angels We Have Heard on High * We Three Kings * Silent Night in D Major * We Wish You a Merry Christmas * O Come All Ye Faithful * Dreydl * Silent Night in G Major * Good King Wenceslas * What Child Is This (Greensleeves)

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

A collection of folk melodies from around the world arranged as teaching pieces for strings. In More Folk Strings, the melody is passed around so that all members of the ensemble can have a chance to play the tune. These orchestra arrangements can be played ay a string quartet since the instrumentation is complete without the bass part. Most of the time Violin 3 duplicates the Viola part.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Trio Tapestry is an original collection of multilevel pieces with flexible scoring that can be played by any combination of violin, viola, and/or cello. Each trio has two easy parts and one part for a teacher or advanced student. The optional piano accompaniments provide additional musical color to the ensemble.

Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz. Viola Duets and Violin Duets may be used together in any combination.

For Viola Duet, Trio, or Quartet, or for Violin and Viola Ensemble.

For Viola Duet, Trio, or Quartet, or for Violin and Viola Ensemble.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.

Parts available to Violins 1, 2, 3, Viola, Cello, String Bass, Score, and Piano. The melody in the string parts is passed around so that all members of the ensemble can have the opportunity to play the tune. Colorful concert pieces in a variety of styles, including tango, ragtime, and jazz.