The first 10 songs from the celebrated cycle: Der Schildwache Nachtlied, Verlorne Muh', Trost im Ungluck, Wer hat dies Liedel erdacht?, Das irdische Leben, Lied des Verfolgten im Turm, Wo die schonen Trompeten blasen, Lob des hohen Verstandes, Rheinlegendchen, and Des Antonius von Padua Fischpredigt. German and English texts. Note. Contents. Instrumentation.

A precocious, strikingly original piece begun when the composer was just 17 and completed three years later. Of special note: the simultaneous use of onstage and offstage orchestras during the final scene in which a wind ensemble plays festive music in the wings while death and destruction dominate the action on stage. New text translation, glossary, and instrumentation by Stanley Appelbaum.

Introduce your young players to this important composer with Richard Saucedo's richly scored adaptation of the moving Finale from Mahler's Symphony No. 3. Perfect for reinforcing the musical concepts of ensemble blend, phrasing and chorale-style playing.

So much of Mahler's great compositions center around vocal and symphonic music. As someone who is keenly aware that the violin most closely approximates the human voice, Batiashvili naturally conscripted select Mahler songs for her own instrument, bringing "new" Mahler repertoire to the violin. "Experience the emotional peaks of this irresistible music," she says. Includes Erinnerung, Frühlingsmorgen, Ging heut morgen übers Feld, Das irdische Leben, and Urlicht.

High voice and piano.

For solo voice and orchestra. Edition: Rev. Neuausgabe. Text writer: Friedrich Rückert. German language. Study score.

Contents: Wenn mein Schatz Hochzeit macht • Ging heut' morgen über's Feld • Ich hab' ein glühend Messer • Die zwei blauen Augen.

Publisher: Joseph Weinberger
Series: Boosey & Hawkes Voice
Medium: BOOK
Voicing: Vocal Score
Pages: 42
Composer(s): Gustav Mahler

for Low voice with orchestral accompaniment (piano reduction). Contents: Wenn Mein Schatz Hochzeit Macht · Ging Heut' Morgen übers Feld · Ich hab' ein Glühend Messer · Die Zwei Blauen Augen.

Voice part and piano.

Publisher: Schott
Series: Schott
Pages: 16
Composer(s): Gustav Mahler

Voice part and piano.

High voice and piano.

Publisher: Schott
Series: Schott
Pages: 19
Composer(s): Gustav Mahler

The name Mahler is so closely associated with the symphony and Lied genres that it is little known how intensively he applied himself to chamber music during his studies. Of his numerous attempts in this field only one piano quartet composed between 1876 and 1878 has survived - and of this merely the first movement in its entirety. The latter was only rediscovered in the 1960s and first published in 1973. Even if Brahms is unmistakably his model, the quartet movement contains enough individual and also unconventional elements - such as the almost symphonic treatment of the piano - for Henle to incorporate it into their Urtext ranks. In addition, they have included an appendix for study purposes with Mahler's fragmentary sketch for a further movement, a scherzo for the same instrumentation.

Gustav Mahler spent 14 years exploring the musical potential of German folk poetry, and this volume comprises some of his most significant work. It features authoritative editions of his settings of five poems by Friedrich Rückert, known as the Rückert Lieder: "Blicke mir nicht in die Lieder" (Look not, love, on my work unended); "Ich atmet einen linden Duft" (I breathed the breath of blossoms red); "Ich bin der Welt abhanden gekommen" (O garish world, long since thou hast lost me); "Um Mitternacht" (At midnight hour); and "Liebst du um Schonheit" (Lovst thou but beauty). A pair of songs from Des Knaben Wunderhorn (The Youth's Miraculous Horn) are also featured: "Revelge" (The dead drummer) and "Der Tamboursg'sell" (The drummer-boy).

Critical edition.

James Curnow's transcription of this lovely music for euphonium and piano strives to allow the beauty of the euphonium tone and expressive nature of the music to achieve a cohesive music experience for the performer, accompanist and listener alike. NOTE: This solo can also be performed with Mahler's original orchestration.

Two orchestral song cycles, one from the early period and one from the late, that richly display MahlerÂ's intense romanticism and his genius in composing for voice and orchestra. Reprinted from authoritative Viennese and German editions.

Handsome, inexpensive volume reproduces authoritative Austrian editions of the Symphony No. 1 in D Major ("Titan") and Symphony No. 2 in C Minor ("Resurrection"). Beautifully printed unabridged scores reveal vivid orchestration, innovative symphonic structure, rich emotional expression, foreshadowing of 20th-century musical ideas.

Two brilliantly contrasting masterworksÂ--one scored for a massive ensemble of full orchestra, two choruses and soloist, the other for small orchestra and soloist, the latter also marking MahlerÂ's move into the contrapuntal style of all his later works. Reprinted from authoritative Viennese editions with new translations of texts.

In these two works, Mahler moved beyond his song-oriented earlier works to take up the challenges of the purely instrumental symphony. The result was two of his most emotionally compelling, most often performed symphonic works. Both are reprinted here from authoritative full-score editions.

With CD of a performance by the London Symphony Orchestra conducted by James DePriest.

Preface · Analysis · Revision · I. Langsam, schleppend · II. Kräftig bewegt · III. Feierlich und gemessen, ohne zu schleppen · IV. Stürmisch bewegt

Orchestration · I. Genesis · II. Programme · III. Analysis · IV. The textual Problem · 2 Facsimile · Bibliography · Critical Commentary · I. Bedächtig. Nicht eilen · II. In gemächlicher Bewegung. Ohne Hast. III. Ruhevoll · IV. Sehr behaglich

One of the composerÂ's most popular, accessible works, the 7th has neither a "program" or folk-song theme. It is a purely instrumental composition, both hopeful and romantic in feeling. Reprinted from the authoritative German edition of 1909. List of instruments. Glossary of German terms.

Superb authoritative edition of massive, complex "Symphony of a Thousand." Powerful synthesis of motet, dramatic cantata, oratorio, song cycle and symphony, scored for an ensemble of orchestra, eight solo voices, a double chorus, a boysÂ' choir and organ. Unabridged republication of the edition published by IzdatelÂ'stvo "Muzyka," Moscow, 1976. Translation of texts. Glossary.

This landmark of 20th-century symphonic writing, one of MahlerÂ's most popular and admired works, is notable for innovation, poetic drama and the fresh and formidable thinking Mahler brought to its composition. The full orchestral score is reprinted here from authoritative Universal-Edition, Vienna, 1912. New glossary of German terms.

Voice Part and Piano