Preludes 1-12.

Preludes 13-24.

No.9 (Eb), K.271; No.17 (G), K.453; No.19 (F), K.459.

No.20 (d), K.466; No.21 (C), K.467.

No.22 (Eb), K.482; No.24 (c), K.491; No.25 (C), K.503; No.23 (A), K.488.

Based on the Finale of Mozart's Piano Concerto in F Major, K. 459. By Ferruccio Busoni / ed. Greg Anderson and Elizabeth Joy Roe. Ferruccio BusoniÂ's Duettino concertante for two pianos, four hands, is based on Mozart's Finale of Concerto No. 19 in F Major, K. 459, for piano and orchestra. Edited by the dynamic piano duo team of Anderson & Roe, this work is a brilliant example of BusoniÂ's prowess as a transcriber as it retains the lightness and clarity of MozartÂ's textures while utilizing the resources of the modern piano. Metronome marks are editorial and ornaments are realized in footnotes. Fingerings, dynamics, and articulation have been supplemented by the editors. 2 copies needed for performance.

Contents include: Andante con moto · Suite · Solo dramatique · Andantino · Serenade · Novellette.

Great virtuosoÂ's best, most important solo piano works: the seven Elegies; the six Sonatinas; the enormous and complex Contrapuntal Fantasy; the Fantasy after J. S. Bach; the Indian Diary (four piano studies on American Indian motifs); and the six Pieces, Op. 33b. Authoritative Breitkopf & Härtel editions.

Selected and with an introduction by Sara Davis Buechner. This volume collects four of the most important keyboard masterpieces by Johann Sebastian BachÂ--the "Goldberg" Variations, Chromatic Fantasy and Fugue, Fantasia Contrappuntistica, and Concerto for Piano and Orchestra in D MinorÂ--in arrangements by celebrated pianist and composer Ferruccio Busoni for his 1919 Breitkopf & Härtel edition. Additional features include Busoni's original system of keyboard notation, demonstrated vis-à-vis the Chromatic Fantasy. An important composer in his own right, Busoni ranks among history's most celebrated pianists. His controversial 25-volume edition of transcriptions of Bach's keyboard music includes side-by-side discussions of Bach's music with arrangements by Busoni and his pupil, Egon Petri. Adapted for the modern resources of the grand piano, the transcriptions include plentiful doublings of voices for higher and lower ranges of the keyboard that did not exist on Bach's clavier, in addition to analytical re-shapings of the music itself. This volume marks a significant collection of rarities that merit greater attention among performers and listeners.

Great virtuosoÂ's remarkable transcriptions of the Chaconne in D Minor; Toccata and Fugue in D Minor; Prelude and Fugue in E-flat ("St. Anne"); Prelude and Fugue in D; Toccata, Adagio and Fugue in C; and Ten Chorale-Preludes. Reprinted from authoritative German editions.