A nostalgic portrait of the moods and nuances of American music, this is a significant addition to early-advanced piano trio literature inspiring to audiences and performers alike. This emotion-packed medley of various styles and themes is held tightly together by themes all based upon five notes of the opening piano statement. Masterful music by one of America's finest composers.

From ragtime to rock, this delightful work captures the essence of various popular music styles of the 20th century. One of America's premier composers, Ms. Rocherolle incorporates additional styles including the charleston, a Gershwin-esque ballad, and swing before masterfully combining the rag and ballad themes. The result is sure to delight any audience.

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Urtext of the new Schubert Edition, these 2 trios are not the later large works, Op.99 (D 898) and Op.100 (D 929). The one movement trio in Bb, D.28 is an early work composed in his fifteenth year. The trio in Eb, D 897 (op. Post 148), sometimes called 'Nocturne' dates from about the same period as the two big trios, Op.99 and Op.100.

Violin, Cello, Piano.

Violin, Cello, Piano.

Characterized by what the composer calls an extravagant neo-romanticism, this 37-minute piano trio unfolds dramatically, demands the utmost virtuosity of its performers, and ultimately glories in largeness of gesture and immediacy of sentiment.

Intermediate arrangement. Perfect for weddings, recitals, and more.

Violin, Cello, Piano with optional Clarinet and Double Bass.

Poetry by Kurt Erich Rotter (from "Dying Dreams").

This second piano trio by Margaret Vardell Sandresky was commissioned by Reynolda House Museum of American Art recognizing the painting, "Birth" by Lee Krasner, and was composed as a companion to this work.

Op.70, Nos.1, 2; Op.97; Op.121a.

Op.44; WoO 38; WoO 39; Hess-Verz.48; WoO 37 (For Piano, Flute, & Bassoon); Op.38 (For Piano, Clarinet or Violin, & Cello).

K.496 (G); K.502 (Bb); K.542 (E); K.548(C); K.564 (G); K.254 (Bb); K.498 (Eb), for Clarinet (or Violin), Cello, & Piano

H. Listing XV, Nos.27 (C); 28 (E); 29 (Eb); 31 (eb); 30 (Eb); 32 (G).

This edition includes two viola parts, one in the original key of D major, the viola instructed to tune a half step higher, and one part in normal tuning in the key of E-flat.