Edited by Bernhard Moosbauer. From the editor's notes: "Telemann's violin fantasias are true gems. They resemble carefully modelled jewels. Brief, pithy, each uniquely patterned and shaped and characterised by an overabundant wealty of invention and design, they are a treasure trove for 'connoisseurs and amateurs' and of high artistic and didactic value." This edition includes background information and notes on interpretation.

Edited by Leisinger and Jonas.

Béla Bartók crowned his Mikrokosmos published in 1940 with Six Dances in Bulgarian Rhythm. On the one hand, they reflect manifold influences of Balkan folk music on the composer's oeuvre and, on the other hand, they are among frequently played concert pieces, such as the Allegro barbaro or the Ostinato for example. The musical text of this separate edition is based on the world's first urtext edition of Mikrokosmos published in the spring of 2016.

Collection of easy pieces for Children a la Schumann, edited from the sources by Thomas Kohlhase with fingering and notes on interpretation by Alexandr Satz

The genesis of ChopinÂ's Grande Polonaise Brillante Op. 22 originates with his youth in Warsaw and his first tours as a virtuoso. Designed as a concert piece with orchestra, it takes up a special position among the Polonaises of Chopin. By tradition, however, the work has always been performed as an extremely effective solo piece. Since no autograph survives, various first prints are used as source material, and comparisons show that the English first edition must have been based on the autograph manuscript of Chopin. This edition therefore rates this English edition more highly than usual, and numerous discrepancies and omissions present in the French definitive edition are clarified and complemented. The notes on interpretation not only explain the relatively rare term Â"spianatoÂ" but also explain ChopinÂ's techniques with respect to trills and appoggiaturas, and tempo rubato. These explanations are drawn from sources close to Chopin, such as letters from his pupil, Karol Mikuli. For advanced players.

This edition includes all the pieces of the original manuscript except for the two Partitas, BWV 827 and BWV 830, and the two French Suites, BWV 812 and BWV 813, which are included in other Wiener Urtext Editions. The appendix of the present edition also includes the "Suite de Clavecin" by Christian Petzold from which Minuets No. 4 and 5 originate.

Selected and annotated by Nils Franke. Contents: Compositions by Beethoven--German Dance in G WoO 8/6, Sonatine in G (Anhang 5/1), Sonatine in F (Anhang 5/2), Bagatelle in F Op 33/3, Bagatelle in g Op 119/1, Bagatelle in a Op 119/9, Waltz in D WoO 85, Fur Elise. Compositions by Schubert--Menuett in B (D 41/5), Menuett in D (D336), Menuett in A (D 334), 2 Landler in Eb (D 679), 3 Ecossaises (D 299/3, 4, 8), Scherzo in B (D 593/1), 2 Waltzes in Ab (D 365/6, 11), Waltz in C# (D 139). Compositions by Hummel--Six Very Easy Pieces Op 52: Cadenza, Allegro, Tempo di Menuetto, Romance, Ecossoise, Rondo, Allegretto in F, Allegretto in C, Tyrolienne variee, Variations on a theme of Vogler.

Edited from the sources by Michael Beiche. Fingerings and notes on interpretation by Tobias Koch.

Selected and Edited by Nils Franke. Chopin: Bourree I in G KK VIIb/1, Bourree II in A KK VIIb/2, Cantabile in B KK IVb/6, Waltz in a KK Ivb/11, Sostenuto in Eb KK IV b/10, Preludes Op 28 in e, b, A, c (Nos 4, 6, 7, 20), Polonaise in G KK IV a/1, Mazurka in g Op 67/2, Mazurka in F Op 68/3, Mazurka in Ab 7/4a. Liszt: La cloche sonne, Landler in Ab, Andantino in Ab, Ich liebe Dich, Andante in Db, Lullaby, Sancta Dorothea, Ave Maria, Christmas Carol, The shepherds at the manger, Adagio religioso. Ferdinand Hiller: From Op 117: Irish Song, Scottish Song, Italian Song, Polish Song, Russian Song, Fandango, Ballade, Slumber Song Op 66/I/2, Song Op 66/II/2.

Vienna Urtext continues their Urtext Primo series with Volume 6, presenting works by two well-known composers along with a selection from a third, perhaps lesser-known composer. Certainly, Clementi and Czerny should be familiar to any student of classical piano literature, but their contemporary Johann Baptist Cramer may be a new discovery. A solid selection of exemplary pieces will cover two years of study and all differ in musical and technical difficulty. Each Urtext Primo series volume is published in two versions: German and English text, or French and Spanish text. Praludium und Arietta
Sonatine Op. 36/1
Tarantella
Sonatine Op. 36/2
Rondo
Allegretto vivace op. 453/31
Alleggretto vivace op. 453/35
Andante Espressivo op. 453/45
Molto Allegro op. 453/46
Alleggretto op. 500/I/86
Allegro op. 500/I/90
Allegretto op. 500/I/90
Andantino sostenuto op. 500/I/92
Marcia funebre op. 500/I/98
Andante aus/ from op. 500/III
Allegro moderato in B minor
Moderato in C # major
Rondo alla Pollaca op. 163/5/II
Etude op. 61/25
Le Petit Tambour
Rondo alla Turca
Albumblatt
Praludium und Polacca
The Hartzfield New Waltz
Andante mit Variationen
Cantabile
Etude op. 30/16
Etude op. 30/1
Andantino espressivo

Etudes Op. 10, Op. 25 and Trois Nouvelles Etudes.

Contents: Sonata No. 10 C major Hob. XVI:1
Sonata No. 4 G major Hob. XVI:G1
Sonata No. 7 D major Hob. XVII:D1
Sonata No. 11 B flat major Hob. XVI:2
Sonata No. 17 E flat major Hob. XVI:Es2
Bourree F major XVI:F3
Sonata No. 14 C major Hob. XVI:3
Sonata No. 18 E flat major Hob. XVII:Es3
Sonata No. 9 D major Hob. XVI:4
Sonata No. 8 A major Hob. XVI:5
Sonata No. 13 G major Hob. XVI:6
Sonata No. 2 C major Hob. XVI:7
Sonata No. 1 G major Hob. XVI:8
Sonata No. 3 F major Hob. XVI:9
Sonata No. 6 C major Hob. XVI:10
Sonata No. 5 G major Hob. XVI:11
Sonata No. 12 A major Hob. XVI:12
Sonata No. 15 E major Hob. XVI:13
Sonata No. 16 D major Hob. XVI:14
Sonata (First Version) E flat major Hob. XVI:1

Sonata No. 28 D major Hob. XVI:5a
Sonata No. 20 B flat major Hob. XVI:18
Sonata No. 30 D major Hob. XVI:19
Sonata No. 33 C minor Hob. XVI:20
Sonata No. 34 D major Hob. XVI:33
Sonata No. 35 A flat major Hob. XVI:43
Sonata No. 32 G minor Hob. XVI:44
Sonata No. 29 E flat major Hob. XVI:45
Sonata No. 31 A flat major Hob. XVI:46
Sonata (First Version) E minor Hob.XVI:47bis

Sonata Nr. 36 C-Dur Hob. XVI/21
Sonata Nr. 37 E-Dur Hob. XVI/22
Sonata Nr. 38 F-Dur Hob. XVI/23
Sonata Nr. 39 D-Dur Hob. XVI/24
Sonata Nr. 40 Es-Dur Hob. XVI/25
Sonata Nr. 41 C-Dur Hob. XVI/26
Sonata Nr. 42 G-Dur Hob. XVI/27
Sonata Nr. 43 Es-Dur Hob. XVI/28
Sonata Nr. 44 F-Dur Hob. XVI/29
Sonata Nr. 45 A-Dur Hob. XVI/30
Sonata Nr. 46 E-Dur Hob. XVI/31
Sonata Nr. 47 h-Moll Hob. XVI/32
Sonata Nr. 48 C-Dur Hob. XVI/35
Sonata Nr. 49 cis-Moll Hob. XVI/36
Sonata Nr. 50 D-Dur Hob. XVI/37
Sonata Nr. 51 Es-Dur Hob. XVI/38
Sonata Nr. 52 G-Dur Hob. XVI/39

Contents: Hob. XVI:34 (E Minor)
Hob. XVI:40 (G Major)
Hob. XVI:41 (Bb Major)
Hob. XVI:42 (D Major)
Hob. XVI:47 (F Major)
Hob. XVI:48 (C Minor)
Hob. XVI:49 (Eb Major)
Hob. XVI:50 (C Minor)
Hob. XVI:51 (D Major)
Hob. XVI:52 (Eb Major)

Contents: Opus 42, 89, 238.

8 Variations on a Theme of Grafen von Waldstein, Sonate, Op.6, "Ich Denke Dein" (Song with 6 Variations), WOo74, 3 Marches, Op.45.

The Consolations are among the best-known piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history, the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication, the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition, the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris were consulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore, a clear engraving without page-turn problems makes it easier to study and perform the popular works.

12 Minuets Hob. IX:3
12 Minuets Hob. IX:8
12 Minuets Hob. IX:11
12 German Dances Hob. IX:12

Contents: Brahms--Sarabande in a, Waltz in A, Waltz in B flat, Waltz in d, Waltz in E, Op.39/12, Waltz in E, Op.39/2, Waltz in E, Op.39/5, Waltz in G, Waltz in g sharp, Theodor Kirchner--Album Leaf Op.49/16, Album Leaf Op.49/2, Album Leaf Op.49/9, Album Leaf Op.7/1, Causerie Op.60/1, Causerie Op.60/12, Causerie Op.60/3, Little Study Op.71/22, Little Study Op.71/29, Little Study Op.71/3, Little Study Op.71/35, Miniature, New Scene from Childhood Op.55/10, New Scene from Childhood Op.55/16, New Scene from Childhood Op.55/19, New Scene from Childhood Op.55/25, Piano Piece, Poco Allegretto, The piano tuner arrives, Schumann-- *** Op.62/21, *** Op.68/23, A Tale of Distant Lands, First Loss, Hunter's Song, Little Study, Mignon, Nordic Song, Poor Orphan, Presentiment, Reverie, Knight Rupert, The Horseman, The Wild Horseman, Theme with Variations. Selected and annotated by Nils Franke.

Introducing Urtext Primo, the next step in a piano student's progress, once tutor books have ended. Vienna Urtext has compiled a sampling of easier piano works by three masters, suitable for the first two years of repertoire study. Including 15 Bach works, 10 by Handel, and 8 Scarlatti sonatas, Urtext Primo aims to allow both teacher and pupil to choose "what's next." While these pieces vary widely in musicality and technique, they are all within a two-year span of development. For intermediate pianists. Includes Bach: Praeludium in C BWV 939, Praeludium in C BWV 924, Praeludium in F BWV 927, Praeludium in c BWV 999, Praeludium in C BWV 846/1, Menuet in G BWV Anh. 116, Polonaise in d BWV Anh. 128, Menuet in F BWV Anh. 113, Gavotte in G from BWV 816, Menuet 1/2 in c from BWV 813, Menuet 1/2 in B from BWV 825, Inventions 1 in C BWV 772 and 8 in F BWV 779, Handel: Toccata in g HWV 586, Preludio in G HWV 442, Prelude and Sarabande in d from HWV 437, Sarabande in d from HWV 448, Courante in G from HWV 450, Entrée in g HWV 453.II, Menuet in g HWV 434.IV, Gigue in g from HWV 452, Gigue in F from HWV 492, Scarlatti: Sonatas in d K. 32, G K. 80, C K. 95, C K. 308, A K. 323, D K. 415, G K. 431, G K. 471.

Edited from the autographs, manuscript copies and original editions and provided with fingering by Paul Badura-Skoda.

Edited from the sources by Michael Kube, fingerings and notes on interpretation by Ji-Eun Noh (cello) and Peter Roggenkamp (piano). Musical text critically reviewed and compared with the sources, cello part edited for practical performance, notes on interpretation with comments on metronome indications, bowings, fingerings and more.