3 recorders (SAT) and piano.

Publisher: Schott
Series: Schott
Pages: 16
Format: Performance Score
Composer(s): Franz Schubert

An excellent addition to classical scale and triad studies for the intermediate flutist. The technical subjects addressed constitute a solid basis for Classical and Romantic flute literature.

The pieces mirror a kaleidoscope of feelings and sensations: witty and clever, elegantly sarcastic, dreamily floating, painterly and impressionistic, and restrained and melancholic.

Contents: Capricio · Invention · Allemande · Corrente · Largo · Capricio · Invention · Double · Menuet · Fantasia · Allemande · Lamentarola · Aria · Giga · Scherzo I · Scherzo II · Rondeau.

These studies are intended as practice material for advanced students of the recorder. The first ten studies utilize the generally accepted normal compass of the treble (alto) recorder and are designed to improve the basic techniques of breath control, fingering and articulation; the remainder concentrate on specific aspects of 'avant-garde' technique, as used in many recent recorder compositions.

New engraving of the famous etudes based on the first edition.

New engraving of the famous etudes based on the first edition.

These short eight-bar exercises are generally regarded as some of the best, most versatile and comprehensive of Czerny's studies. Apart from helping to achieve speed, suppleness and versatility of tone and touch, these exercises concentrate on many essential aspects of piano technique: diatonic and chromatic scales, tone repetition, chords progressions and arpeggios, thirds and octaves, two-part playing in one hand, polyphony, alternating hands, trills and other ornamentation, etc. This new edition is based on the first edition of 1853 and contains Czerny's original fingering. Scott Piano Classics Series

Publisher: Schott
Series: Schott
Pages: 16
Credits: (ed. Avila)
Composer(s): Mauro Giuliani
Arranger(s): Vicente Avila

Contents: Prélude (Hotteterre) · Rondeau (Blavet) · Prélude (Hotteterre) · Gigue en Rondeau (Blavet) · Prélude (Hotteterre) · Echot · Fantaisie (Boismortier) · Gigue · Polonaise · Bohémienne · Menuet Aurichien · Menuet Hongrois · Capriccio · Menuets Prussiens · Caprice · Gigue Saxone

16 short easy pieces in a variety of jazz-inspired styles providing a wide-ranging introduction to swing and rock phrasing, use of blue notes and pentatonic melodies, walking bass and syncopated rhythms, plus some more reflective pieces exploring jazz harmonies.

Contents: Lightly does it • Gospel Song • Third Time Lucky • Mean Streets • Au revoir • Ground to Bass • Happy Feet • The Forgotten Waltz • To and Fro • Sweet Dreams • Turn of the Tide • Variations • Carol • In Conversation • Till Tomorrow • Reminiscence.

Publisher: Schott
Series: Schott
Pages: 22
Composer(s): John Kember

Two soprano recorders and one alto recorder.

Turlough O'Carolan (1670-1738) is considered to be the last great harp player of Ireland. He knew how to combine Irish music with Italian Baroque music, thus creating a large number of compositions, about 200 of which have survived. 16 of them were selected by Patrick PföB and arranged for two violins and cello for this edition.

Recorder and Guitar.

German.

Publisher: Schott
Series: Schott
Pages: 55
Credits: - Egk - Ger. -
Composer(s): Werner Egk

Contents: Mazurka Apasionata · Aire de Zamba · Un Sueno en la Floresta · Minuento en Si Mayor · Vals No. 4 · Danza Paraguaya · Choro da Saudade · Villancico de Navidad · La Catedral

Contents: Cueca · Contemplación · Vals No. 3 · Madrigal (Gavota) · Aconquija · Estudio de Concierto · Julia Florida (Barcarola) · Una Limosna Por el Amor de Dios (La Última Canción) · Maxixe

1. C major · 2. A minor · 3. C major · 4. G major · 5. E minor · 6. G major · 7. D major · 8. B minor · 9. D major · 10. A major · 11. F# minor · 12. A major · 13. F major · 14. D minor · 15. F major · 16. Bb major · 17. G minor · 18. First Minuet Bb major and second Minuet Eb major

Besides Burgmüller's 25 Studies Op. 100 (ED 173) the 18 Studies Op. 109 play an important role as teaching material. This series of moderately difficult pieces deserves far wider circulation.

Publisher: Schott Frères
Series: Schott
Pages: 25
Composer(s): Gerard Novel

Publisher: Schott
Series: Schott
Pages: 16
Credits: (ed. Avila)
Composer(s): Mauro Giuliani
Arranger(s): Vicente Avila

Volume 1 (1-9), includes: Beautiful City, I was lost, My Betrayed Love, Lay your bed, My Love, and more. Vocal texts in Greek and Greek transliteration.

The studies are arranged progressively: the beginner knowing inly three notes, C, D and E will be able to learn the first two studies. New notes are added gradually and systemaltically throughout in order to help the player to aquire a working knowledge of the basic fingering. Moderato · Allegro · Grazioso · Moderato · Allegretto · Allegro · Allegro · Allegro · Andante · Allegretto · Flowingly · Andante · Largo · Allegretto · Allegro · Allegro · Presto e ben marcato

With a detailed introduction editorial commentary. Includes music by Ewald Hintz, Andreas Neunhaber, Jakob Kortkamp, Christian Flor, Johann Nikolaus Hanff, and others.

The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound. It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example. The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.

The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound. It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example. The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.

With a detailed introduction and editorial commentary. Includes music by David Äbel, Petrus Hasse, Wilhelm Karges, Thomas Mancinus, Martin Radeck, and others.

Designed for cellists and other classically trained musicians who are curious about jazz and improvisation.

For trumpets in B-flat with guitar, piano, bass, and drums.

Publisher: Schott
Series: Schott
Pages: 21
Format: Performance Score
Composer(s): François Devienne

Mazurka F sharp minor, Op. 6/1 • Mazurka B flat major, Op. 7/1 • Mazurka A minor, Op. 7/2 • Mazurka E minor, Op. 17/2 • Mazurka A minor , Op. 17/4 • Mazurka G minor , Op. 24/1 • Mazurka C minor 30/1 • Mazurka G minor, Op. 30/2 • Mazurka B minor, Op. 33/4 • Mazurka C major, Op. 56/2 • Mazurka F minor , Op. 63/2 • Mazurka C sharp minor, Op. 63/3 • Mazurka G major, Op. 67/1 • Mazurka G minor, Op. 67/2 • Mazurka C major, Op. 67/3 • Mazurka A minor, Op. 67/4 • Mazurka C major, Op. 68/1 • Mazurka A minor, Op. 68/2 • Mazurka F major, Op. 68/3 • Mazurka F minor, Op. 68/4

Publisher: Schott
Series: Schott
Medium: Softcover
Pages: 56
Credits: (ed. Terebesi)
Composer(s): Frédéric Chopin

Publisher: Schott
Series: Schott
Pages: 16
Credits: (ed. Götze)
Composer(s): Fernando Sor
Arranger(s): Walter Götze