First, Oskar Gottlieb Blarr planned the organ editing of Penderecki's Agnus Dei from the Polish Requiem as a private homage to theesteemed master. Meanwhile, the piece has also been successfully performed by other organists, who proved the organ performance of the poignant Agnus Dei sustainable. As in his other organ works, Blarr followed strict criteria: the strict maintenance of intervals, postures, articulation and phrasing.

Publisher: Schott
Series: Schott
Voicing: Score
Pages: 20
Format: Study Score
Composer(s): Krzysztof Penderecki

In this unique series, cadenzas are created for well-known instrumental concertos from the Classical and Romantic periods by major composers and soloists of our time.

In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist's virtuoso inspiration. Penderecki's cadenzas for Haydn's celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope.

Penderecki's stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn's concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.

Publisher: Schott
Series: Schott
Pages: 12
Format: Solo Part
Composer(s): Joseph Haydn, Krzysztof Penderecki

Advanced Level.

Publisher: Schott
Series: Schott
Voicing: Score
Pages: 28
Composer(s): Penderecki

From Penderecki's later period, this is a more melodic entry in his canon, though still including passages using extended technique and requiring virtuosic playing.

Publisher: Schott
Series: Schott
Pages: 77
Composer(s): Krzysztof Penderecki

In 2005 the composer added the movement Ciaccona (in memory of Pope John Paul II) to his Polish Requiem. This edition has been transcribed for string duo with parts for violin, viola, and cello.

In 2005 the composer added the movement Ciaccona (in memory of Pope John Paul II) to his Polish Requiem. This edition has been transcribed for string duo with parts for violin, viola, and cello.

The original work providing the basis of this arrangement is the Ciaccona for string orchestra dating from 2005 written on the occasion of the death of Pope Johannes Paul II. The composer incorporated the piece into his large-scale oratorio work Polish Requiem as an instrumental interlude. During the following years, arrangements were made for violin and viola, for piano, for two pianos, for three accordions and for six cellos.

The last part of Penderecki's Polish Requiem, dedicated to Pope John Paul II.

For flute (or clarinet) and piano. Piano reduction by Claus-Dieter Ludwig.

Revised version (With piano reduction)

Soli (Soprano, Mezzo-Soprano, Alto, Tenor, Bass), Children's Choir, Mixed Choir and Orchestra.

Publisher: Schott
Series: Schott
Pages: 56
Credits: - Penderecki - Eng -
Composer(s): Krzysztof Penderecki

Commissioned by the Anne-Sophie Mutter Foundation for the encouragement of highly talented string players. Double Bass part noted in scordatura (tuned a whole step higher).

Publisher: Schott
Series: Schott
Pages: 44
Format: Study Score
Composer(s): Krzysztof Penderecki

Publisher: Schott
Series: Schott
Pages: 11
Composer(s): Penderecki

For clarinet and string trio.

Transcription of the 2009 cello work. Advanced Level.

This sextet is one of Penderecki's weightier contributions to the chamber music canon. The two expansive movements, Allegro moderato and Larghetto, are strongly subdivided and structured by means of different expressions and tempo changes. The work is an impressive manifestation of a composer at the height of his creative powers and is comparable to the violin concerto Metamorphoses and the recently premiered Concerto grosso for 3 cellos and orchestra.Each instrument is equally involved in the musical development and all players are confronted with the rewarding task of integrating brilliant, virtuosic sections with lyrical and meditative ensemble passages. Clarinet, horn, string trio and piano.

For clarinet and string orchestra. Study score.

Publisher: Schott
Series: Schott
Pages: 27
Format: Score
Composer(s): Krzysztof Penderecki

Violin and Piano

This sextet is one of Penderecki's weightier contributions to the chamber music canon. The two expansive movements, Allegro moderato and Larghetto, are strongly subdivided and structured by means of different expressions and tempo changes. The work is an impressive manifestation of a composer at the height of his creative powers and is comparable to the violin concerto Metamorphoses and the recently premiered Concerto grosso for 3 cellos and orchestra.Each instrument is equally involved in the musical development and all players are confronted with the rewarding task of integrating brilliant, virtuosic sections with lyrical and meditative ensemble passages. Clarinet, horn, string trio and piano.