Violin and Piano

Includes Separate Violin Part.

Publisher: Schott
Series: Schott
Pages: 12
Composer(s): Fritz Kreisler

Original compositions/ transcriptions/ cadenzas printed from the original editions. ORIGINAL COMPOSITIONS: Caprice Vennois, Tambourin Chinois, liebesfreud, Liebesleid, Schon Rosmarin, Rondino on a Theme of Beethoven, La Gitana. COMPOSITIONS "in the Style ofÂ...": Variations on a theme by Corelli in the Style of Tartini, Chanson Louis XIII and Pavane in the Style of Couperin, Sicilienne and Rigaudon in the Style of Francoeur, Praeludium and Allegro in the Style of Pugnani. TRANSCRIPTIONS: Melodie from Orfeo ed Euridice (Gluck); Rondo from Serenade in D Major ("Haffner"), (Mozart); Song without Words (Mendelssohn); Slavonic Dance in E Minor Op. 46. No. 2 (Dvorak); Spanish Dance in E Minor (Granados); Tango (Albeniz, Op. 165, No. 2); Danse Espagnole from La Vida Breve (de Falla). CADENZAS: Three Cadenzas for the Concerto in D Major (Beethoven, Op. 61); Cadenza for the Concerto inD Major (Brahms, Op. 77); Cadenza for the Concerto No. 1 in D major (Paganini, Op. 6).

Original compositions" in the style ofÂ...", transcriptions and arrangements, original compositions, printed from the original editions. ORIGINAL COMPOSITIONS "In the style ofÂ...": Allegretto in the style of Boccherini; Andantino in the style of Martini; La chasse in the style of Cartier; Grave in the style of W.F. Bach; Preghiera in the style of Martini; Scherzo in the style of Dittersdorf; Tempo di Minuetto in the style of Pugnani. TRANSCRIPTIONS & ARRANGEMENTS: Andante Cantabile (Tchaikovsky); Ballet Music No. 2 from Rosamunde (Schubert); Caprice in A minor (Wieniawski); Chanson sans paroles (Tchaikovsky); La danse des demoiselles (Friml); Humoresque (Tchaikovsky); Hungarian Dance no. 17 (Brahms); Hymn to the Sun from Le coq d'or (Rimsky-Korsakov); Invocation (Elwyn Owen); Larghetto (von Weber); Lotus Land (Cyril Scott); Midnight Bells from Der Opernball (Heuberger); Nocturnal Tangier (Godowsky); Poupee valsante (Poldini); Romance in A (Schumann); Serenade from Frasquita (Lehar); Slavonic Dances No. 1 in G minor and No. 3 in G major (Dvorak, op. 72, No. 8); Song of India from Sadko (Rimsky-Korsakov); Songs My Mother Taught Me (Dvorak). ORIGINAL COMPOSITIONS: Berceuse romantique, Gypsy Caprice, Marche miniature viennois, The Olld Refrain, Petite valse (for solo piano), Polichinelle, Recitativo and Scherzo (for solo violin), Shepherd's Madrigal, Syncopation.

Transcriptions and Arrangements by Kreisler of works by Corelli, Tartini, and Paganini. Includes three never-before-published 'La Folia' Variations.

CONTENTS: Aubade provencale in the Style of Louis Couperin. Aucassin and Nicolette, Medieval Canzonetta. Cavatina. Concerto in C Major in the Style of Antonio Vivaldi. Episode. Malaguena. Minuet in the Style of Porpora. La Precieuse in the Style of Louis Couperin. Romance Op. 4. Study on a Chorale in the Style of Stamitz. Toy Soldiers' March. Viennese Rhapsodic Fantasietta.

Publisher: Schott
Series: Schott
Pages: 8
Composer(s): Fritz Kreisler

Violin and Piano

Kreisler's Old Viennese Dance Tunes are now available in a first-time edition for piano duet.

Kreisler's Old Viennese Dance Tunes are now available in a first-time edition for piano duet.

This arrangement of the three-part compilation published in 1905 is based on Fritz Kreisler's original version as well as on later piano transcriptions by Sergei Rachmaninoff, with the harmonies, chromaticism and counterpoint of the piano transcriptions remainingunchanged. Original version and transcription are combined to form a virtuoso and effective solo piece. The three-four time typical of Vienna requires a certain, yet hardly notatable freedom of tempo without metronomic constraints.

'Alt Wiener Tanzweisen' [Old Viennese dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac coloring), but all have melodic charm and musical elegance. These pieces make for a sweet end to a recital program; Kreisler himself liked to play them as encores.

'Alt Wiener Tanzweisen' [Old Viennese dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac coloring), but all have melodic charm and musical elegance. These pieces make for a sweet end to a recital program; Kreisler himself liked to play them as encores.

This treatment of the three-part collection, published in 1905, is based on Fritz Kreisler's original version and the later pianist transcriptions by Sergei Rachmaninoff. The harmonies, the chromatic developments, and the counterpoint of the pianoforte transcriptions are preserved; the original and transcription are combined into a virtuoso and effective solo piece. The three-triennial act typical of Vienna requires a certain, hardly noticeable freedom of tempo formation without metronomical compulsion.

Violin and Piano