Publisher: Editions Durand
Series: Editions Durand
Medium: BOOK
Pages: 32
Composer(s): Charles Koechlin

For unaccompanied flute.

Adaptation from J.S. Bach "A Musical Offering".

Koechlin (1867-1950) was an extremely prolific French composer in virtually every genre. In the 1930s, he became fascinated with motion pictures with sound, and also became obsessed with film star Lillian Harvey. Conceived as 89 different vignettes for piano and other instruments, Le Portrait de Daisy Hamilton is a thinly veiled tribute to Lillian Harvey. Published here for the first time. The pieces are short, generally two pages or less and are in simple AA or ABA form. The notes are easy to read since the print is large, clear and uncluttered...There is a nice range of unusual harmonic progressions, chord structures and pianistic techniques. Most important, however, is that the students enjoy playing these fun and ingenious pieces. The included CD is outstanding.--American Music Teacher

Koechlin (1867-1950) was an extremely prolific French composer in virtually every genre. In the 1930s, he became fascinated with motion pictures with sound, and also becaome obsessed with film star Lillian Harvey. Conceived as 89 different vignettes for piano and other instruments, Le Portrait de Daisy Hamilton is a thinly veiled tribute to Lillian Harvey. Published here for the first time. The pieces are short, generally two pages or less and are in simple AA or ABA form. The notes are easy to read since the print is large, clear and uncluttered...There is a nice range of unusual harmonic progressions, chord structures and pianistic techniques. Most important, however, is that the students enjoy playing these fun and ingenious pieces. The included CD is outstanding.--American Music Teacher

Koechlin (1867-1950) was an extremely prolific French composer in virtually every genre. In the 1930s, he became fascinated with motion pictures with sound, and also became obsessed with film star Lillian Harvey. Conceived as 89 different vignettes for piano and other instruments, Le Portrait de Daisy Hamilton is a thinly veiled tribute to Lillian Harvey. Published here for the first time. The pieces are short, generally two pages or less and are in simple AA or ABA form. The notes are easy to read since the print is large, clear and uncluttered...There is a nice range of unusual harmonic progressions, chord structures and pianistic techniques. Most important, however, is that the students enjoy playing these fun and ingenious pieces. The included CD is outstanding.--American Music Teacher

Koechlin (1867-1950) was an extremely prolific French composer in virtually every genre. In the 1930s, he became fascinated with motion pictures with sound, and also becaome obsessed with film star Lillian Harvey. Conceived as 89 different vignettes for piano and other instruments, Le Portrait de Daisy Hamilton is a thinly veiled tribute to Lillian Harvey. Published here for the first time. The pieces are short, generally two pages or less and are in simple AA or ABA form. The notes are easy to read since the print is large, clear and uncluttered...There is a nice range of unusual harmonic progressions, chord structures and pianistic techniques. Most important, however, is that the students enjoy playing these fun and ingenious pieces. The included CD is outstanding.--American Music Teacher

Koechlin (1867-1950) was an extremely prolific French composer in virtually every genre. In the 1930s, he became fascinated with motion pictures with sound, and also became obsessed with film star Lillian Harvey. Conceived as 89 different vignettes for piano and other instruments, Le Portrait de Daisy Hamilton is a thinly veiled tribute to Lillian Harvey.

Publisher: Editions Salabert
Series: Vocal
Pages: 151
Composer(s): Charles Koechlin

This first print is a rarity: the highly virtuoso, evocative 'Nocturne' owes its creation to an instrument that has only survived asa museum piece. Gustave Lyon, the director of the French instrument maker Pleyel, commissioned Charles Koechlin as well as several other French composers (such as Claude Debussy and Maurice Ravel) to write works for the 'harpe chromatique' developed by him around 1900. In contrast to the common pedal harp, the chromatic harp allows for an unlimited modulatory range. Nevertheless, the instrument did notgain much acceptance and remained exotic. Koechlin was aware of the difficulty of introducing and establishing new instruments. He therefore, from the very beginning, had the piano as an alternative of equal value in mind when writing his Nocturne.

Publisher: Editions Durand
Series: Editions Durand
Pages: 4
Composer(s): Charles Koechlin

Includes: Choral, op. 90b · Choral La Charité, op. 49, No. 2 · Choral Final du Requiem, op. 161 · Trois Sonatines, op. 107 · Vocalise 1 and 2, op. 212b.

Publisher: Editions Durand
Series: Editions Durand
Pages: 36
Composer(s): Charles Koechlin

Publisher: Editions Salabert
Series: Woodwind Solo
Voicing: Flute
Pages: 32
Composer(s): Charles Koechlin

For two flutes.

Publisher: Editions Durand
Series: Editions Durand
Pages: 82

Scored for oboe d'amore or soprano saxophone, flute, clarinet, 2 violins, 2 violas, 2 violoncellos, and piano.

For Flute, Clarinet and Bassoon.

For Flute, Clarinet and Bassoon.