This piece was composed by Philip Glass in 1968. Within it the player performs '1+1' by tapping the table top with his fingers or knuckles.

category: Piano/Vocal Score

Another Look at Harmony is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so, easily audible root movement (chords or changes) was chosen in order that the clarity of their relationship could easily be heard. Here, as in earlier periods of Western music, melodic material is, for the most part, a function or result of the harmony. However, it is clear that some of the priorities of Western music (harmony/melody first, then rhythm) have been reversed.

category: Part

Composed in 1996.

A solo organ piece by the innovative composer Philip Glass.

Publisher: Music Sales America
Series: Music Sales America
Pages: 28
Composer(s): Philip Glass

A solo organ piece by the innovative North American composer Philip Glass.

An opera in four acts for ensemble, chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera, taking approximately five hours to complete, with no intermission. Given the nature of the music - the lengthy repetition of small elements, very gradual development and change, recurring patterns - audience members are free to enter and leave as they wish.

An opera in four acts for ensemble, chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera, taking approximately five hours to complete, with no intermission. Given the nature of the music - the lengthy repetition of small elements, very gradual development and change, recurring patterns - audience members are free to enter and leave as they wish.

An opera in four acts for ensemble, chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera, taking approximately five hours to complete, with no intermission. Given the nature of the music - the lengthy repetition of small elements, very gradual development and change, recurring patterns - audience members are free to enter and leave as they wish.

An opera in four acts for ensemble, chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera, taking approximately five hours to complete, with no intermission. Given the nature of the music - the lengthy repetition of small elements, very gradual development and change, recurring patterns - audience members are free to enter and leave as they wish.

Composed in 2008 for Dennis Russell Davies and Maki Namekawa. Two scores included.

Glassworks was originally written as a commission for CBS Records in 1981. Philip Glass' music is frequently described as minimalist, though he prefers the term theatre music. He is considered one of the most influential composers of the 20th century. Glassworks is presented here in full score for piano, electric organ, bass synthesizer, piccolo, soprano saxophone, clarinet, bass clarinet, tenor saxophone, french horn, viola, and cello.

Philip Glass 'Gradus' arranged for solo soprano saxophone. Duration 9 minutes.

category: Piano/Vocal Score

A first collected and corrected study score of the five choral and instrumental pieces that punctuate the action of Glass's mighty theatre piece of 1976.

The short opening piece from Philip Glass's masterpiece, constructed from layers of repeating musical cells, written for the solo piano.

Commissioned by Damian Woetzel and premiered in 2013 in a performance by cellist Yo-Yo Ma and dancer Lil Buck.

Paul Barnes presents a suite of seven piano transcriptions derived from Philip Glass's 1991 opera Orphee. The suite was first performed in April 2001 at the Greenwich House Music School in New York City.

Paul Barnes presents a suite of seven piano transcriptions derived from Philip Glass's 1991 opera Orphee. The suite was first performed in April 2001 at the Greenwich House Music School in New York City.

600 lines written for variable instruments.

Complete Vocal Score of Philip Glass's Opera In 3 Acts, Akhnaten. Inlcudes full lyrics and Piao accompaniment.

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the first of five Knee Play pieces used to punctuate the Opera between acts. Written for SATB chorus and organ

A choral work by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. The work is based upon overlapping repeating rhythmic motives, with 5 Knee Play pieces used to punctuate the Opera between acts. Written for unaccompanied SATB chorus.

This is a player score of the 1973 classic of the early minimalist movement. It is to be performed by any combination of at least three players (originally three woodwinds and three electric organs) and it is advisable, given the layout in the score, that prospective performers should buy a separate copy for each player. (The price quoted, obviously, applies to a single copy.) The piece comprises a series of melodic/rhythmic fragments that are repeated an indefinate number of times. The music may be performed with any combination of instruments that have a suitable melodic range.

This item is one set of five performance scores for the Philip Glass's first String Quartet. Composed in August 1966.

Publisher: Music Sales America
Series: Music Sales America
Medium: Softcover
Format: Set of 5 Performance Scores
Composer(s): Philip Glass

The second string quartet by Philip Glass is a lyrical, almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. The piece began life as a score for Mabou Mines, the New York theater company that counted him as unofficial composer for almost three decades, and the name comes from the Samuel Beckett play Company.

The Light is a portrait in music of the scientists Albert A. Michelson and Edward W. Morley and their studies of the velocity of light through their memorable experiments, which concluded at Case Western Reserve University, Cleveland, Ohio, 1887. This is the full orchestral score of Philip Glass' work, composed in 1987.

The Windcatcher was originally written for Flute and Piano intended for an uncompleted short film project, and was later transcribed as this Saxophone Sextet arrangement. The set of parts for 2x Soprano, Alto, 2x Tenor and Baritone Saxophones is available (Catalogue No.DU10615).

For mixed voices SATB A Cappella.

For Mixed Voices, Flute, Soprano Saxophone and Tenor Saxophone.

Philip Glass' Piano Concerto No 2 was composed in 2004 and has a duration of approximately 34 minutes. Commissioned by the Nebraska Lewis and Clark Bicentennial Commission, Board of Regents of the University of Nebraska, and the Lied Center for Performing Arts.

category: Solo Part

A collection of music arranged for solo piano, including Metamorphoses One to Five collected together for the first time. Suitable for intermediate to advanced pianists. Contents: Metamorphosis 1-5 · Mad Rush · Wichita Vortex Sutra

A work in seven movements, written for Wendy Sutter and first performed on February 13th, 2007 by her at the Howard Gilman Performance Space of the Baryshnikov Arts Center, New York. Originally based on the music of Glass' film score to Chaotic Harmony.

Song cycle by Philip Glass for piano and voice. Lyrics by Paul Simon, Suzanne Vega, David Byrne and Laurie Anderson. Piano reduction with words. Suitable for advanced pianists.

category: Choral Part(s)

The second string quartet by Philip Glass is a lyrical, almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. The piece began life as a score for Mabou Mines, the New York theater company that counted him as unofficial composer for almost three decades, and the name comes from the Samuel Beckett play Company.

The second string quartet by Philip Glass is a lyrical, almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. The piece began life as a score for Mabou Mines, the New York theater company that counted him as unofficial composer for almost three decades, and the name comes from the Samuel Beckett play Company.

Mishima String Quartet (String Quartet No.3) originally appeared as parts of the film score for Mishima by film maker Paul Schrader. The film follows a complex narrative structure which divides the life of this famous contemporary Japanese novelist into 3 parts - his childhood, his mature years and the last day of his life. These subjects were intercut to produce a shifting kaleidoscopic vision of Mishima's life. The scenes of his childhood were filmed in black and white and scored for string quartet. An excellent contemporary string quartet by the innovative Philip Glass.

Mishima String Quartet (String Quartet No.3) originally appeared as parts of the film score for Mishima by film maker Paul Schrader. The film follows a complex narrative structure which divides the life of this famous contemporary Japanese novelist into 3 parts - his childhood, his mature years and the last day of his life. These subjects were intercut to produce a shifting kaleidoscopic vision of Mishima's life. The scenes of his childhood were filmed in black and white and scored for string quartet. An excellent contemporary string quartet by the innovative Philip Glass.

An excellent contemporary string quartet by the innovative Philip Glass.

An excellent contemporary string quartet by the innovative Philip Glass.

Philip Glass's String Quartet No. 4 was composed as part of the memorial concert for the artist Brian Buczak. Commissioned by Geoffrey Hendricks, it received its first performance on 4 July 1989 at the Emily Harvey Gallery, New York City.

The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet, and was first performed on February 15, 1992.