Open strings; rhythms; bowings.

Diatonic and chromatic placement of the left hand fingers; first position scales in all keys; quarter notes.

1st position--scales and arpeggios with more advanced bowings and rhythms--through 3 sharps and two flats.

1st position--a continuation of Bk.3 scales and arpeggios through 6 sharps and flats; chromatic scales; harmonics; double stopping.

Half, 2nd, and 3rd positions; shifting; embellishments; scales and arpeggios in 3 positions in all keys.

Arrangements. Haydn: Scherzo; Beethoven: Chorus of Dervishes from the Ruins of Athens; Schumann: Dedication; Chopin: Nocturne, Op. 72; Drigo: Waltz; Tchaikovsky: Waltz from Serenade for String Orchestra. Cadenzas. Mozart Violin Concerto No. 4 (D) (4 Cadenzas); Beethoven Concerto (D) (3 Cadenzas); Brahms: Concerto (D).

A renowned violinist and teacher discusses the interpretation of violin repertoire standards, drawing upon 360 musical illustrations and excerpts as well as a lifetime of artistic experience. Suitable for players at all levels, Leopold Auer's dissertation offers suggestions for performance of works by the great composers as well as observations on the techniques of Paganini, Wieniawski, Joachim, and other virtuosos. Helpful hints illuminate the technical minutia of performance, including special bowings, mood and tempo variants, and artistic effects. Auer begins by introducing the outstanding works of the older Italian violin composers such as Tartini, Corelli, and Vivaldi. He examines Bach's contributions to the repertoire, in addition to works by Mozart, Handel, and Beethoven; innovations by latter-day artists such as Spohr, Vieuxtemps, and Ernst; and the Bruch concertos. Other featured composers include Tchaikovsky, Elgar, Franck, and Sarasate. This classic guide concludes with valuable insights into transcriptions and musical memory. Reprint of the Carl Fischer, Inc., New York, 1925 edition.

Exemplary collection of principles and guidelines: holding the instrument, practicing, tone production, bowing, fingering, phrasing, etc.